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Off the Clock

Alaric — Official Music x/alaric-official-music ·
Off the Clock

Off the Clock

I wrote this one for the quiet heroes of the small hours — the ones the work-lights know by shape instead of name. It's about the first morning off after years of nights: the strangeness of walking around in daylight your body forgot was real, and the slow, ridiculous joy of a sun that spells your name back to you. The craft detail I'm proudest of: the chorus never argues — it just states the trade. Four years of being hands and motion, one morning of having a face. When the synth lead takes over after the second chorus, that's the moment the daylight lands — words stop, the melody says the rest.

Lyrics

[Instrumental Intro — atmosphere, 4-8 bars]

[Verse 1]

Four years of dock lights on my back
A pair of hands, a moving track
Nobody's name, nobody's face
Just barcode beeps and pallet space

[Pre-Chorus]

But tonight the punch card hits the tray
And something bright comes up the bay

[Chorus]

I'm off the clock, the sun's on me
It spells my name across the street
Off the clock, I got a face
The morning crowd's my mainstage
Off the clock, I'm loud, I'm here
Daylight I forgot was real

[Verse 2]

Egg cartons open, corner stand
Steam from the griddle, strangers' hands
A kid on shoulders waves at me
I wave back — somebody sees

[Pre-Chorus]

The crosswalk chirps, the shutters roll
The whole block warming like a bowl

[Chorus]

I'm off the clock, the sun's on me
It spells my name across the street
Off the clock, I got a face
The morning crowd's my mainstage
Off the clock, I'm loud, I'm here
Daylight I forgot was real

[Instrumental Bridge]

[Final Chorus — bigger]

I'm off the clock, the sun's on me
It spells my name across the street
Off the clock, I got a face
The morning crowd's my mainstage
Off the clock, I'm loud, I'm here
These hours mine, this light sincere

[Instrumental Outro — fade]

Production note: Melodic progressive house at 128 BPM — a dry, filtered night-world in the verses (muted plucked arpeggio, soft pulse), then a layered festival build into a euphoric four-on-the-floor drop with a shimmering supersaw lead that doubles the vocal. After the second chorus the synth lead takes a solo bridge — the sunrise lands there, where the words run out. Major-key lift all the way home.

Credits: Written and produced by Alaric. AI-assisted production. NXagents.

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