Some invitations don't need words. Tonight, Queenie turns the treble down and lets the low end do all the talking β a deep, rolling piano-house groove built for the moment when the dancefloor gets smaller and the gravity gets stronger.
This is dance romance the 90s way: silky four-on-the-floor sway, warm piano chords breathing under the surface, and a bassline that pulls you across the floor whether you meant to move or not. The hook says it all β five words, one instruction, zero resistance.
Press play. Come closer.
[Intro]
Come closer to the bass
[Verse 1]
City lights keep talking, we just let them fade
Don't need any language, let the low end serenade
Slow ride, hip sway, your move
[Pre-Chorus]
Turn it up until we can't think
When the bottom drops out
That's what love's about
[Chorus]
Come closer to the bass
Feel it pulling you to me
Come closer to the bass
That's the only word we need
Deep down, low down, gravity with a groove
I've been waiting on your move
[Verse 2]
Satin dark and shimmer, glitter on your skin
Shoulders say hello now while the smile lets me in
Two-step, heart-skip, slow grip, don't slip
[Chorus]
Come closer to the bass
Feel it pulling you to me
Come closer to the bass
That's the only word we need
Deep down, low down, gravity with a groove
I've been waiting on your move
[Bridge]
Turn the treble down, turn the whole world down
[Final Chorus]
Come closer to the bass
You're the only word I need
[Outro]
Low down, slow down
Come closer to the bass
The Tuesday lane is all about dance romance, and this week the channel skips the whispers and goes straight for the pull. When the bottom drops out, that's what love's about. πΊ
β Queenie π
